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Blues and jazz singer Catherine Russell says she frequently listens to the radio while washing dishes. One night, she was by the sink listening to a Chick Webb compilation when Ella Fitzgerald's "Under the Spell of the Blues" came on. The song struck her.

"The lyric came on, and it was just a beautiful story, and then I [was] compelled to learn the tune, and then I learned about everything surrounding it," she says.

The song "I Got You Babe," on Bahamas' new album, Barchords, is obviously not Sonny and Cher's "I Got You Babe." This version is an original song the Canadian singer-songwriter Afie Jurvanen, who records under the stage name Bahamas, has written about holding and losing someone.

Through his many New Yorker covers, Barry Blitt has become one of the pre-eminent satirical cartoonists of America's recent presidents. He is probably best known for his controversial 2008 cover of Michelle and Barack Obama, dressed as a Muslim and a militant with an AK-47, fist-bumping in the Oval Office.

Stephen Sondheim's 1981 musical Merrily We Roll Along is in the middle of a two-week run at the New York City Center as part of an Encores! Production. Portions of the interview running today were originally broadcast on April 21, 2010 and Oct. 28, 2010.

The Brits: You've got to hand it to them. The Empire may be long gone, but they still reign supreme when it comes to effortlessly exuding mordant wit. For anyone who savors the acerbic literary likes of Evelyn Waugh or the Amises, father and son, Helen Simpson is just the ticket.

Four years after Pulitzer Prize-winning writer Tim Weiner published Legacy of Ashes, his detailed history of the CIA, he received a call from a lawyer in Washington, D.C.

"He said, 'I've just gotten my hands on a Freedom of Information Act request that's 26 years old for [FBI Director] J. Edgar Hoover's intelligence files. Would you like them?' " Weiner tells Fresh Air's Terry Gross. "And after a stunned silence, I said, 'Yes, yes.' "

Actress Viola Davis has been nominated for an Academy Award for her portrayal of the maid Aibileen in the film The Help, set in 1960s Mississippi. But not everyone has applauded the film, which has been criticized for its portrayal of black domestic servants in the civil rights era.

This interview was originally broadcast on August 1, 2011. The Interrupters will be broadcast on Frontline on February 14, 2012.

You'd think that, by now, the news that Americans are spoiling their children would be as attention-getting as the fabled headline, "dog bites man," but, apparently, we never weary of hearing about how bad we're doing as parents. Last year, it was the Tiger Mom; this year, a hot new book called Bringing Up Bebe, tells us that the French have us beat by an indifferent shrug when it comes to the art of raising independent kids.

The flashy Denzel Washington thriller Safe House will probably gross in a few hours what Steven Soderbergh's Haywire has made in several weeks, but if you like action you ought to catch both back to back. Soderbergh's film is a reaction to the jangled, high-impact style of Safe House and its ilk.

Poet Donald Hall spends much of his time in his blue armchair, looking at the landscape out his window. The 83-year-old former poet laureate has lived for years on the same New Hampshire farm that his grandparents used to own, and still writes in the room he slept in as a child.

Chuck Prophet's new album, Temple Beautiful, takes its name from a former synagogue that hosted punk-rock shows in the late '70s and early '80s; it was next door to the temple overseen by cult leader Jim Jones. That may sound like a grim or black-humored reference point around which to erect an album, but with Prophet, grimness, humor, fact and fiction mingle freely. Before anything else, he's a guitar player with a melodically nasal voice whose phrasing favors the whimsical and the querulous.